My artistic evolution has led me to explore the ephemeral, where the intent of my work is not meant to last forever but rather exists in transient moments and challenges our own perception of time and mortality. As a placed-based artist, I am deeply rooted in the ancestral lands of the yak tityu tityu yak tiłhini (Northern Chumash) tribe along the California Central Coast. My mission is to create ephemeral works that honor my community’s values around sustainability practices while shedding light on pressing environmental issues. I believe my work can serve as a platform for protecting cultural resources by bringing greater awareness to the environment where I collect my materials. In this respect, my work also provides a narrative about the importance of tribes in exercising our sovereign gathering rights. 

Historically, my primary medium was abalone, chosen for its intrinsic link to specific landscapes. However, the climate emergency and subsequent regulatory restrictions have necessitated a shift in my material palette. This challenge led me to explore the art of papermaking in sculptural forms. Integrating handmade paper into my practice allowed me to maintain a strong geographical connection in my work and opened new avenues for artistic expression. The process of papermaking, from pulp preparation to the final pressing, has become a metaphor for regeneration and sustainability in the face of environmental challenges. It represents a new chapter in my artistic journey that blends with my environmental ethos.

In terms of subject matter, my pieces often depict landscapes on the brink of change, capturing the fleeting moments of natural beauty and cultural significance. Through my art, I work to transport viewers to these places, making the distant and abstract tangibly immediate. The integration of place-based details is meticulous, creating an immersive experience that showcases the beauty of these landscapes and serves as a clarion call for their protection.

In my recent research, I explore the intersections of art, environmental science, and community engagement, using papermaking as a tool to explore themes of sustainability, cultural identity, and ecological consciousness. This exploration is more than an artistic endeavor; it's a commitment to deepening our collective understanding of our relationship with the natural world and inspiring action towards its stewardship.

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